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In the turbulent 1970s, Satyajit Ray turned his lens on Kolkata — a city caught between political unrest, corporate greed and moral collapse. Through his iconic Calcutta trilogy, Ray crafted an unflinching portrait of urban alienation, following three disillusioned protagonists as they steer through a city that demands survival at any cost. Ray explored how Kolkata becomes both a character and a crucible in cinema, reflecting the anxieties of a generation and a metropolis teetering on the edge.
Winds whipped up the deep dark waters of the river Muri Ganga which stretches for four kilometres from the delta island of Sagar Deep (which means “sea island” in Bengali) to the first port on the mainland, called Lot Number 8.
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There’s an old saying: no person can dip his toe in the same river twice. It’s never the same river. Nor the same person.
Jaggi, the red-turbaned betel leaf-chewing senior TTE, was moving around the AC compartment as the crowd swarmed him. In his younger days, his senior and mentor had once told him, “Throughout the year you’ll have to loiter everywhere examining tickets. But then there will be days when people will haunt you. Yes, these are the days! When, if you can cash intelligently, you do drive home plenty of fluid cash.” Now, with age, he has mastered the required skills.
, Gopal never confessed to his inadvertent crime, and he just tried to forget all the memories of his father in order to live happily without feeling the burden of conscience.
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The cafe Artsy – Coffee and Culture is tucked away in a by-lane off the meandering A.J.C. Bose Road. It is often discovered by passing Kolkatans by the aroma of freshly brewed coffee and freshly baked cake. And once you’ve walked in, an entire world opens up. It is a space where artists can exhibit their work for free. Musicians can perform live for free. The only cost is food and drink. The prices are fair, and the fare is priceless.
