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Back with Talobasha: Chandrabindoo’s long-awaited tenth album to complete 100-song goal

Chandrabindoo has been persistent in producing unique words under known tunes. They have consistently done social commentaries, focusing on contemporary love and changing mainstream politics. The band has played on words to depict the narratives of philosophy and history in songs like Tatin, Mongol Groho and Tobo Mukut. The relevance and the popularity of the band came from tapping into the conformist mentality of an essentially intellectual sub-culture of the Bengali community.

Remembering Rukmini Devi

Thanks to Kathak exponent Ashimbandhu Bhattacharya and his team consisting of Avik Chaki and Subroto Pandit, rasikas got a glimpse of their excellent Kathak rendition.

Uttam Kumar craze projected in Srijit Mukheji’s latest venture

The Uttam Kumar mania, or craze, has not waned even after forty-four years since his demise in 1980. Dubbed at one time the “Mahanayak”, his presence is still felt in the hearts of cinephiles in Bengal even in this new millennium. His film premiere, Oti Uttam, directed by Srijit Mukherji, was screened on Wednesday, 24 March.

Two streams of Indian classical music

The aesthetically designed studio-theatre of Chidakash Kalalaya, an Ashram-like institution founded by the Sangeet Natak Akademi Award recipient scholar-guru Piyal Bhattacharya, is a haven of research, restoration, and practical application of music, dance, and drama as scripted in Bharatmuni's Natyashastra and its precious commentaries by scholars of yore.