Akshay Kumar donates ₹1 cr to feed Ayodhya monkeys
Bollywood star Akshay Kumar donates ₹1 crore to feed monkeys in Ayodhya, honoring his late parents and father-in-law ahead of Diwali.
Akshay Kumar’s concerns about his appearance in the film “Action Replayy” have resurfaced, with director Vipul Amrutlal Shah taking responsibility for the movie’s lack of success. Shah admitted that despite Kumar’s reservations about his “geeky” look in the film, he proceeded with it, leading to a less-than-enthusiastic response from audiences.
In a candid conversation, Shah revealed that Kumar had expressed doubts about the extreme nature of his appearance, cautioning the director against pushing the experiment too far. However, Shah persisted with his vision, ultimately leading to what he now acknowledges as a mistake.
Also Read: R Madhavan had a real-life ‘3 Idiots’ moment with his father
Reflecting on his directorial choices, Shah admitted that he lacked the necessary expertise to handle a period film like “Action Replayy.” He owned up to his failure, recognizing that the film’s shortcomings were primarily his fault. Moreover, he attributed part of the film’s box office failure to Kumar’s unconventional appearance, which deterred audiences from flocking to theaters.
Advertisement
Despite Kumar’s unwavering support for the director’s vision, Shah acknowledged that his insistence on the particular look ultimately backfired. Audiences found Kumar’s unique dental prosthetics and hairstyle off-putting, impacting the film’s overall appeal.
“Action Replayy,” set in the 1970s and also featuring Aishwarya Rai Bachchan and Aditya Roy Kapoor, failed to resonate with audiences due to these combined factors. Shah’s admission of fault serves as a reminder of the collaborative nature of filmmaking and the importance of heeding actors’ concerns.
The conversation sheds light on the challenges filmmakers face in striking a balance between creative vision and audience appeal. Shah’s candid acknowledgment of his missteps underscores the importance of learning from failure in the ever-evolving landscape of cinema.
Advertisement
