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That was Annie Lennox, who with Dave Stewart led the New Wave charge in the 1980s. “They were scary, they were sexy, they were smart and they were impossibly cool,” St. Vincent said. The Eurythmics then reunited for a rendition of “Here Comes the Rain Again.” Lennox, looking out at the audience, said everyone had gone through so much during the past few years. “I feel like it’s a miracle that we’re here tonight,” she said.

Bryan Cranston introduced his friend Miller, who perfected a psychedelic blues sound with such hits as “Take the Money and Run,” “Abracadabra,” “The Joker,” “Jet Airliner” and “Jungle Love.” Miller took to the stage for a spacy, effect-heavy version of his hit “Fly Like an Eagle.” Cranston jokingly called Miller “the space cowboy himself.”

Lil Nas X was honored with the Hal David Starlight Award, which recognizes “gifted young songwriters who are making a significant impact in the music industry via their original songs.” He took the award wearing a white tuxedo and a mob of frizzy blond hair, tweaking the usual acceptance speech: “Thank you to my imaginary husband and kids,” he said.

Representing the Isley Brothers, were Elaine Isley Goodstone, Ernie Isley and Ronald Isley. Ernie Isley reminded the guests that their early hit “Shout,” was recorded 63 years ago and their music would go on for decades, prompting the Beatles to cover them. The two men then joined up for a medley of hits that included “That Lady,” “It’s Your Thing” and “Between the Sheets.” Lil Nas X was one of the members of the audience on his feet bopping along.

Jimmy Jam and Terry Lewis introduced another songwriting duo — Pharrell Williams and Chad Hugo who as the Neptunes shaped pop and urban radio from the ’90s well into the 2000s thanks to crafting hits for Britney Spears, Jay-Z, Justin Timberlake, Usher and Beyoncé.

Williams tried to give advice to up-and-coming songwriters, warning them that the music industry was an often dangerous place. “Life is like Legos. Songs, like life, are put together piece by piece,” he said. “If you build a really strong foundation, you won’t fall.”

Questlove introduced Carey and regretted that all too often her songwriting chops were often overlooked. With 19 No. 1 hits on the Billboard Hot 100 chart, she is only behind the Beatles, and Questlove remined the crowd that she did it as a Black woman. “Success at this level, especially for Black artists, is a real obstacle course,” he said.

Carey said a dysfunctional background prompted a dark vision of the world as a 6-year-old, so music and melodies and lyrics were her escape. She said she always has to remind people she’s a songwriter first, but the diva label seems to stick more. She left the crowd revved up for a performance but other artists came onstage to sing a medley of her songs, including “Fantasy,” “Hero,” “Make It Happen” and “We Belong Together.”

Non-performing solo nominees this year were William “Mickey” Stevenson, a producer during Motown’s golden era, who was serenaded by Robinson, calling Stevenson “my brother brother,” and Rick Nowels, who co-wrote over 60 Top 20 singles worldwide, including Belinda Carlisle’s global hit “Heaven is a Place on Earth.”

Master songwriter Paul Williams received the Johnny Mercer Award, and Universal executive Jody Gerson received the Abe Olman Publisher Award.

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