Radio’s new avatar

Courtney Holt


Eight companies, including BuzzFeed and Refinery29, have agreed to produce programming for the new initiative, called Spotlight. One of the first shows will be a four- to seven-minute daily newscast featuring reporting from BuzzFeed journalists across the globe.

Spotlight will only be available to customers in the US at first. News programming can help Spotify capture some of the 18 billion dollars spent on radio advertising in the US each year and boost profitability as it prepares to trade on the New York Stock Exchange.

While the company almost singlehandedly reversed the record industry’s long decline, it has been unable to turn a profit due to the high cost of music rights.

Segments on news, pop culture, sports and politics add a new dimension to Spotify, which was already diversifying beyond music with videos and podcasts for its more than 70 million users. Such programming can be more profitable, but it also puts Spotify more in competition with YouTube and Apple, two powerful rivals.

“I know people are coming to Spotify to listen first, but we’re starting to build something new,” Courtney Holt, the company’s head of studios and video, said in an interview. “I want to create content that can be seen and listened to.”
Some of the programmes will be versions of podcasts already available on the service and will initially contain the same ads.

Other programmes won’t have ads during the initial testing phase. The way podcasts are presented will be enhanced to let listeners more easily skip between different stories and topics, Holt said. They’ll also include visuals.

Segments on news, pop culture, sports and politics add a new dimension to Spotify, which was already diversifying beyond music with videos and podcasts for its more than 70 million users.

New shows will be released throughout February and the company plans to expand Spotlight to other markets soon, according to a blog posting.

Holt joined Spotify last year after stints in music and digital media to figure out what the company should be doing beyond music. He scrapped several original video series, which were tough for users to locate on the service and struggled to gain an audience.

In their place, he conceived Spotlight, which mimics the most successful videos on Spotify to date – music videos and behind-the-scenes footage presented within playlists RapCaviar and Viva Latino. Users can listen to those videos without watching, or watch for additional information.

BuzzFeed’s show will be audio-first, but include infographics and other visual elements, according to Ben Smith, editor-in-chief.

“Spotify has this real opportunity to compete with terrestrial radio,” Smith said. “These are news updates for people of the generation we serve, 18- to 35-year-olds.”

Dawn/ ANN